Not for the first time – what was I thinking?!

I wanted to make some pyjama bottoms for my brother, buoyed by the relative success of my Christmas pjs and the realisation that without pulling on the elastic at the waist so much they’d fit him better than me (it’s a unisex pattern and he’s 6 foot, so a medium is about right). He likes moose and I wanted a warm brushed cotton fabric (this was January, when I started planning, and I thought I’d finish them a lot sooner). I couldn’t find fabric I liked, moose is I suppose not such a popular motif in the UK, so in the end I went to Etsy and found one I thought was better than the others. Alas, my judgement was off (and the postage cost a fortune, expensive mistake!). The fabric was much thicker than what I think of as brushed cotton or flannel, more like draylon as used on sofas c 197. The pattern also looked huge. I should have known, because it’s a different texture version of one I used for a patchwork block, and still I didn’t see how bad it would look as a garment until I had the fabric in front of me.

So I either ditched it, or made the damn things anyway. Reader, I made them. Oh dear.

For some reason I couldn’t get the elastic to go through the waistband so that took 6 lots of restitching and some manoeuvring with a knitting needle attached to a piece of parcel tape. Still, at least unlike last time I didn’t sew the legs together, so I sort of learned a lesson.

Anyhow, here they are. Taken at work before I parcelled them up and sent them for his birthday in early April, when it would be too warm to wear them anyway. I thought I was going to have them finished in February! (I did buy him other, actual birthday presents, as opposed to a weird dressing-up item). My husband thought they’d do as camouflage. I reckoned if he wore them to see wildlife they’d work a treat because all the animals would fall over laughing, then he’d get a good look at them.

Christmas pyjamas!

 

It’s Christmas Eve! We’re in a self-catering cottage in the English Lake District, where the views and the wildlife are amazing.

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I finished the hems on my Christmas pyjamas in brushed cotton.

Though I think I made them a size too big I’m still pleased with them and think they’re the best of the three garments I’ve made. I won’t wear them to bed but they’re nice to sit around in – loose and comfortable! The pattern’s a New Look multi-option and unisex pattern. I don’t know the manufacturer of the lovely fabric, but bought it online from Croft Mill, at a reasonable £5.50 per metre.

The pattern has pockets, which I thought would be hard to do but it was ok.

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I’ve also today posted to Mum and Dad a patchwork quilted mat I made for them, to put underneath a nice red glass bowl they’ve got standing on a polished wood sideboard.

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The fabrics are by Moda and came in a pack of 6 inch squares I bought on eBay then cut into quarters. I love the rich autumn / winter reds and greens. I used it as an opportunity to try some freestyle machine quilting (no idea if that’s the right terminology, I was going to write freemotion, but is that only when you use a long arm machine?), by drawing a leaf vine design on with chalk. Unfortunately I kept not being able to see the lines, partly because sewing at night when even electric light on good enough. Some leaves turned out quite well, others not so much, with spaces where they join the ‘stem’, or zig-zaggy loops. The light’s not the only reason for that, though!

Anyway, I enjoyed doing it and the project’s a nice size to practise on. I’d like to be able to make the same pattern on the double bed autumn quilt I’ve been working on for years, but don’t think it’s possible!

Anyway, I’m looking forward to walking to Grasmere tomorrow to go to church, where Wordsworth’s buried so I assume also worshipped. Then a roast dinner using the small oven in the cottage, but no pressure to have it ready by a certain time as there’s just the two of us. Ooo, Carols from King’s has started – Happy Christmas everyone!

Christmas projects

I finished the jumper I was knitting my Dad for Christmas, which had to be done early as I was staying with parents last week so wanted to leave it with them to be opened on Christmas Day. It’s too big! Which is to say, I am gifting my father a large cable knit tent, with the expectation he wear it. The irony is that I started knitting the next size down and after about 50 rows decided it was going to be too small so pulled it out and started again. I’d bang my head on the desk but a) it wouldn’t solve anything, b) it would hurt, and c) what brains I have have been scrambled enough already.

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This is the second jumper I’ve knitted in this yarn, Rowan Hemp Tweed, and thought I knew how it behaved, and even shortened the sleeves slightly because I know I knit sleeves too long in chunky yarns, but in the end I just misjudged the relative sizes of father and jumper.

The pattern is from Martin Storey’s Easy Aran Knits. There were some errors in the pattern, fortunately easily noticeable, e.g. the rib at cuffs and hem was described as being row 1: K3, [P2, K2] to end; row 2: P3, [K2, P2] to end, whereas row 2 should have been [P2, K2] to last 3 stitches, P3. Actually, that was it apart from one regarding the number of stitches on the holder when making the neckband, but I’d have to double-check before defaming the pattern writer! I once met him for 10 seconds at a Knitting & Stitching Show and he was very pleasant.The cable design’s lovely.

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This is the first garment I’ve made with a shoulder saddle and sleeve extensions, to be sewn up at the back. Never having done that before I found it difficult and I think the end result’s a bit bulky, maybe I used the wrong stitch when sewing. The neck also looks small, but it feels okay on (I tried it on to see how big it was on me, seeing as we’re I think the same height now). The sleeves dangled beyond the ends of my fingers.

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In other Christmas projects, I’ve been making myself a pair of pyjama bottoms in a Christmas fabric. The third ‘dressmaking’ project I’ve attempted, neither of the first two having been spot on, and I wanted to avoid tailoring or fasteners, so pj bottoms seemed the way to go! Found a fantastic brushed cotton fabric at a reasonable price at Croft Mills online fabric shop (U.K.). Some brushed cottons are £10 a metre, which I didn’t want to pay, this was £5-something.

It’s a 5-option multi-pattern thing so the pattern took a lot of reading. Mistakes made include: misreading pattern so that I thought two small circles next to each other symbolised button holes (for the tie to feed through). Fortunately the symbols mean a gap had to be left there in the seam, so all was not lost. This is the first time I’d made button holes on a sewing machine and it was great! Thanks to the buttonhole making facility on my Singer sewing machine. Took me three attempts to get it to work because I didn’t realise you have to pull down a lever, and I put the metal plate on the buttonhole foot at the wrong side of the fabric, but fortunately it didn’t seem to matter. Here they both are on one leg, taken on the wrong side where the interfacing is to make it easier to see: the buttonhole where it’s meant to be, and where it isn’t! buttonhole

The pattern includes pockets, and it took me hours one Saturday afternoon to fathom out the construction on one leg, but once done the second leg was really quick. These are the legs under construction, showing fabric on right and wrong sides:

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And a pocket:

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I managed sewing the centre seam joining the legs (done twice for strength as per instructions), but sewing the outer seam, not so much. Ahem. Managed to sew the legs together on one side. Thought they looked strangely like a skirt, which could not be right. Bit like the time I sewed a jumper sleeeve to its body…

At least I realised when I’d only sewed one seam and not two! I’ve nearly finished now and have only the hems to finish. The pyjamas are also too big but I’ve tightened the elastic and it’s passable. I’d like to make them again in the smaller size. I’ll post a picture when they’re finished. It’s a unisex pattern and I’d like to make a pair for my brother (in a different fabric of course) because I think the size I made would fit him nicely, but he didn’t look overly enthusiastic when I showed him these. Can’t think why. I might make some anyway, but the only fabric I liked is in the US so P&P would cost a lot. It’s his birthday in April, I’ll try for then. And try not to sew the legs together. Lucky him, tee hee.

Autumn quilt: funky owl 2. And a new project!

I think this is autumn block 44. Not my favourite, but as mentioned in my last post I’m at the stage where I know there are blocks I want to make so that there’s a balance of blocks in the quilt as a whole, and I have one other block that uses this fabric so felt I needed another so it isn’t all alone. It was retrospectively an unwise choice of fabric being so different from the others (though I do have a small repeating cartoonish hedgehog in a few), but a couple in amongst the others is okay and maybe gives it a bit of added ‘interest’! I’ve tried to tone it down by using quite quiet fabrics for the rest of the block, with only the four small inner squares having anything other than a blender-style pattern, so I think it works okay.Owl 2

I had a hunt through my photo library (boy does that need a clear-out!) and found the photo of its friend. Both had been in blocks I did earlier in the project but had to take apart and do again to make them work better in the quilt as a whole, both having been way too ‘busy’. The first one still was, a bit, but I think there was a limit to what I could do with the pieces.

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In other news, I’ve started making the sleeveless summer top I bought the fabric and pattern for last year. It’s taken me til now to get over the mental angst involved in making the first top I’ve ever sewn, which was year ago! So this is the second one. Apart from darts, which didn’t feature in the first top, this is going to be easier (famous last words…). I cut the pieces last weekend and did the darts and the top and side seams this. The darts aren’t brilliant, I had to unpick one and redo it because when I changed the stitch length as I neared the end (following YouTube advice) I must have somehow knocked the fabric skew and got a dogleg in the sewing, which means there are little holes you can see (though if anyone was that close to my bust I’d punch them). Then I forgot I’d changed the stitch length down and did the whole dart at length 1.0 instead of 2.5! I debated doing the same for the other one for consistency, but in the end decided not to and I don’t think you can see the difference. Stripey fabric with darts so of course the stripes then don’t line up – not a good idea, or doesn’t it matter?

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From top no. 1 I learned that, for me personally, it’s not worth the difficulty of trying to do the overlocking stitch (have I got the right word?) to finish the edges of the seams, but just to use the pinking scissors. Last time trying to do the overlocking stitch I got it all snarled up and had to unpick bits and redo it by hand and the end result was messy, whereas pinking scissors do the same job but without the hassle, so long as you don’t mind the serrated effect, which I don’t. I had to alter the length of the top to fit to where I like it best, allowing for a bit of uptake on the hem, and have sewn the side seams nearer 7/8 inch than the 5/8 on the pattern, by the time I basted exactly on the line then sewed to one side of it, but the pattern size was slightly too big so that’s worked fine when I’ve tried it on. Happily the positioning of the darts in the pattern seems to look okay on me, because I’m really not up for trying to alter bust sizes on these things, that’s far too advanced! I now need to put bias binding at neck and armholes, which will be taxing and is for next weekend unless I have a burst of energy midweek (doubt it, in this heat and with an allotment to water), and then of course the hem to do. Be nice if this time I finish it in time to wear this year! The fabric’s a lovely Kaffe Fassett one, perhaps more subdued than some of his others! Cotton, but woven (I think), nice and light, and drapes better than standard cotton. And I love the colours!

Top before binding

Cathedral Windows Christmas tree decoration

I’m just back from a week staying with my parents in the home I grew up in Northumberland (for those who don’t know it, a county in the far north east of England, bordering Scotland, with hills and a beautiful coastline). While there I made a Christmas tree decoration using a pattern I bought on Craftsy months ago. I’ve never done cathedral windows before, and think the effect of them is stunning, but knew that when the pattern introduction said it would be ‘easy’, ‘quick’, and ‘simple’, that wouldn’t be true – at least not for me!

It’s a double-sided decoration, the ‘O’ shape on one side and ‘X’ on the other. I followed the instructions with not the least idea of where they were heading. It’s a bit like origami, but with sewing. At least I though to use spray starch, because the pieces are tiny.

Here are the two sides after the first stage was completed:

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Can’t explain how I did it (and if I’d known what it would look like once unfolded would probably have positioned the left and right green triangles so the fabric pattern wasn’t facing the same way, but as it turns out you can’t see that when it’s finished); but the pattern if anyone would like to do it is by Shelley’s Studio. The green is scraps left over from the Christmas cushion cover I made for my brother last year. Hope he remembers to bring it out this year!

Then you sew a third colour on at the corners, and open up pieces to reveal the colours beneath, and sew them down. Rather like slits in Tudor gentleman’s robe, I suppose. This is one side mid-process:

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Unfortunately I forgot that I am hopeless at binding, at least the part where you have to get the beginning and end to fit together. I also definitely needed a longer piece of binding. I cut the pieces before going home and took them with me on the train, so when the pattern said ‘at least 14 1/2 inches’ I cut it to exactly that but should have made it longer. Although it’s a single rather than double binding I turned the edge up to stop it fraying, which the pattern didn’t mention though I think it looks better. But I ended up with not enough to make the fourth corner mitred like the others, and with a lump, not to put too fine a point on it, at the point where the start and finish of the binding met. So all I could do was make it as neat as possible and try to hide it under a thicker piece of velvet ribbon hanging than I would have chosen. Fortunately Mum had some I could use, because I forgot to bring any with me. I would have preferred to have the end of the hanging ribbon inside the binding, but even without the mess at that corner which needed to be disguised, couldn’t work out how to do that.

The overall effect of the finished item is nice, though the ‘X’ has come out better than the ‘O’. I would make one again, but be prepared to spend a long time on it. I wanted to leave this one with Mum and Dad so stayed up late, a Christmas ‘tradition’ I really must stop!

The ‘X’ in two different lights (to try and show the gold snowflakes):

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And the ‘O’:

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And in situ (blurred I’m afraid, I was in a rush)!:

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Autumn block with fussy-cut fun pumpkins

I like the term ‘fussy cutting’ that I picked up from Peggy Cooper’s lovely blog (https://peggycooperquilts.com/) – it’s something I do occasionally but hadn’t thought about it having a name – now I know it I’m going to use it more! I’m not sure if using it as an adjective as in the title is the done thing, but I’m doing it anyway…

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The flying geese round the centre square use the very last of the special autumn leaves fabric I love so much: they’re recycled from a block I didn’t like and took apart, and I’m so happy I did because they’re used much better here. I’m not convinced about the use of colour in the central triangles at the edge (where two flying geese are sewn together), but the number of variations I tried in order to get this the best I could was ridiculous! In the end I had it all except the four small squares at the corner of the sort of block-within-a-block, so when I found a remnant of the fabric that I ended up using I was really pleased. It’s one I’ve tried to work into other blocks because I like it, but it’s only ended up in one. Part of the problem is that the background’s white and bright, and the other is that the motifs on it are quite widely spaced. Hence the fussy cutting, so I could get a tiny part of the edge of a sunflower in alongside the leaf and pumpkin in two squares. I would have liked more, but there just weren’t enough on the piece of fabric. I kicked myself for cutting squarely round the pumpkin used on the top right, because it would have looked better at an angle, but I used it anyway because it’s nice to have the two pumpkins with different patterns. That fabric is very thin, not easy to work with, and a couple of the corners of those squares came out stretched when I ironed them so they don’t look their best. I now realise I should have starched them… too late!

One problem with having spent so long choosing the fabrics for this one is that I only finished sewing it together on Sunday afternoon and didn’t have time to choose fabrics for the next one, so have no sewing to do on the train for my daily commute, I feel bereft!

First machine-sewn garment finished…

At last! There’s a lot that’s ‘wrong’ with it, but it’s still wearable and I’ve learned so much in the process.

top cropped

I had difficulty finishing the seams and tried to use the overlocking foot but the edges of the fabric in parts got turned in, and the beginning and end of each row got tangled so I ended up doing those bits by hand using blanket stitch. I gave up on other seams and used pinking shears instead, so the inside of the garment is a real mishmash! The two halves of the back don’t line up by a couple of millimetres, it’s not much but it is noticeable if you’re looking – hopefully no one will be! I’ve done my first hem that’s ‘invisible’ from the front, which is just as well as it wobbles all over the place, and my first button loop, which again isn’t the most tidy but you can’t see that when the button’s fastened. So lots of fudging, but lots learned, particularly bias binding. Unfortunately it’s now too cold to wear it this year!

I’ll wait until next year when the memory of all the difficulties has passed before trying to make anything with the other fabric I bought on the same day. At this time of year I’m keen to be getting on with my knitting and the autumn patchwork anyway, as well as some Christmas gifts.

 

Speaking of the autumn quilt, here is the latest block, using parts of one that I took apart because the colours / patterns didn’t look right; I’d thought when I made it it would be fine, but now I’ve got a decent number of blocks I can see it doesn’t work.

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The one on the right below is the one I took apart, it had too many big patterns in it and the small triangles on the flying geese round the centre square were the wrong colour, they just disappear into the other parts. The new one’s not exactly exciting, but I think it looks better because there’s more definition. I’m getting to be very reliant on that brown fabric, don’t know where I’d have been without it.

 

A few weeks ago I made some elderberry syrup for the first time, needless to say having to negotiate nettle patches to get to them, as elders and nettles seem to grow together. It turns out to be quite tasty, more subtle than you’d think; I’d definitely make it again next year.

Stripey jumper, two new autumn blocks, and a trip to Wiltshire

I finished the jumper made from a self-striping Noro yarn (a silk mix) that I’ve been working on quite fast because I wanted to wear it when the weather cools down, but to be honest am disappointed. The colours are still lovely but I wish I’d made it a size bigger, and all is not well with the neck. I’ve included a photo from the pattern book to show what it should look like, but in reality it’s far too high and I don’t know what I did wrong; I followed the instructions!

Patchwork-wise, I’ve finished another two autumn blocks, and am pleased with the colour combinations on both. I thought the mouse one might be too ‘avocado and aubergine’, but actually it’s fine. On the other one, I wanted to showcase the rosehip fabric, following on from previous blocks when a more heavily patterned fabric stood out against plainer ones, giving a better effect. In the end some of the other fabrics are reasonably heavily patterned, but it’s still okay. The orange fabric is new and the best I could get to be close to the orange in earlier blocks that was more rusty than bright, despite being covered in gold sparkles!

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When I finished it I laid out all the blocks I’ll definitely use, and as a whole the quilt is looking much better, though sadly weeding out the unsatisfactory ones leaves only 30 blocks! Sorry the photo’s dark (though it’s really bright sunshine outside) and of course as I’m standing on a chair with the camera stretched out up and in front of me, at a bad angle.

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Of the eleven discarded blocks left, I can see how two can be taken apart and some colours changed to make them usable, two won’t be used at all, and of the remaining seven I’ll take some apart and hopefully use some component parts in new blocks, and may keep one or two as they are. It’s a pain, particularly as the awful truth is there are some fabrics I should just never have  bought or used, which is a waste of money as well as time and energy, but there’s no point crying over spilt milk – I can be  more sanguine now I’m happier with the overall project!

We went to Wiltshire on Sunday and stayed for 5 nights, one night in a B&B near Malmesbury and 4 in a self-catering cottage near Salisbury. It’s a county I’d never visited, and am so pleased I went. I wanted to visit some of the sites associated with people I studied in Medieval History, so was really pleased to see Malmesbury Abbey, which was built on the site of an ancient holy place, and Old Sarum, the site of a now-ruined cathedral and castle, as well as Salisbury Cathedral, which was built in the 13th century when the cathedral at Old Sarum was abandoned. But there was so much ancient history, too. You felt it all around you because although Stonehenge is the famous stone circle and we decided not to visit because it is such a tourist hub and so cordoned-off that there might not be much pleasure to be had, there are actually lots of other, ‘smaller’ stone circles too, as well as the white horses etched out of the hillsides which you can see just driving along. We visited the stone circle that runs through the village of Avebury, and although there are only 30-odd of the original c. 150 stones standing, the scale of them is amazing. They reckon the stones were put there in 2600 B.C.! My photos don’t do it justice, but you can see the scale from the ones next to houses and people.

 

Photos of parts of Malmesbury Abbey:

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Stunning gardens at Stourhead, designed in the 18th century (having first diverted a river and dammed some medieval fish ponds, of course!), complete with grottoes and follies. Now owned by the National Trust. Must look fantastic in the autumn!

 

Lastly, Salisbury Cathedral – great place to see stunning embroidery! I somehow managed to omit taking a photo of the central aisle down the length of the nave, which was very long. There is an incredible font in the centre, commissioned in 2008, with constantly flowing water. The Chapter house dates to 1260 and has an amazing frieze running round it, above the benches were Chapter members sit, carved in stone and showing biblical scenes.

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Autumn block and first attempt at neck binding (unrelated!)

Something of a lowering sky when I went for a quick walk earlier this afternoon, but I saw some magnificent red kites, one swooping quite low over my head; my photos don’t do it justice.

I worked hard to finish a new autumn block this week, inspired by having a plan to use the same colours as last week’s, and by wanting to feel I’d achieved something by the end of the week if sewing the neck binding on my top didn’t work out! I’m pleased with the result:

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The more boldly patterned fabric is much thinner than the higher-quality Moda fabrics that make up the rest of the block, and I can feel how much better (for which read, easier) it would be to have fabrics all of the same quality. Unfortunately I haven’t had time this weekend to choose fabrics to put together for the next block, so will be deprived of sewing to do on the train. Might actually start reading a book, I used to read so much before I took up sewing! I’ve just finished Life of Pi and it took something like 4 months, oh dear. I listen to audiobooks all the time while sewing on the train, but don’t know if that counts the same way.

On Thursday night I tried to use the overlocking stitch for the first time. Not a resounding success, alas.

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I put the edge of the fabric up against the guide on the overlocking foot, but obviously sometimes it got too close and the edges have turned in. At least no one will see it. It went wrong near the bottom of the seam so I’m going to do that by hand.

I have spent so much of the last two weekends looking at YouTube videos! So much good advice, but people do things differently and I don’t always understand all instructions, so it’s still a lot of puzzling out what best to do. I confess that in my ignorance before I looked at these videos I thought the binding went on the outside! I now know that’s only if it’s to be a decorative feature, which in this case it most certainly is not. It took me in the end I think two and a half goes to do the binding round the neck of my top.

First time I used all these pins…

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It still didn’t work out, and I did misjudge it a few times and had to lift the needle to get a pin out then carefully put it back in the right place. The curve of the shoulder seam has  been the main problem. This was a wildly off-kilter part after my first go:

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Oops. I thought of just unpicking that section, then thought of the mess I make when I tie off an end of stitching mid-length and reneged. I thought I’d try to just add the correct stitching without unpicking this one… yes, I know, it didn’t work! So I unpicked the whole thing and tried again, this time, and I don’t know why I didn’t think of it sooner, with basting. It still wasn’t neat like the woman in the video’s is neat, and I sewed over a few basting stitches and had fun picking them apart. But on the whole it was better.

Then as per instructions I trimmed it so the fabric was flush with the binding, and cut in little notches to help with the curve (thanks to having tried a little bit of needle-turn applique this idea wasn’t a novelty, so that was good), then turned  it inside the garment.

I saw on some blogs that some people do something called understitching, but I didn’t follow what exactly I was meant to do, and some people didn’t do it, so I decided as it seemed okay without it and my fabric’s not very stretchy (deliberately chosen for that reason) I would give it a skip. Then I basted the binding in place, by hand, then sewed it down with the machine. Again the problem with the shoulder, this time meaning I missed the binding for about 2 inches, but this time I did unpick from the  armhole edge to the offending part, and got the sewing machine needle in at the right spot and redid it. I stitched the thread ends in by hand, but don’t think it’s noticeable from the right side unless you’re looking really closely at the stitching, not if you’re just talking to me when I’m wearing it.

Having pressed in place, I think the binding’s  okay, a bit may gape in time but it’s fine for now (and for a first attempt) and for just me wearing it. A pity the two parts of the back are slightly misaligned, I really hadn’t realised until after the binding was done and I was going to take this photo. This whole thing has shown me – well, reinforced what I knew – that accuracy is so important, but also so difficult! I don’t think dressmaking is going to be my ‘thing’, I’ll make tops with the fabrics I’ve bought and I haven’t given up on making  pair of tartan pyjama bottoms in a nice thick or brushed cotton one day, but overall, I’ll stick with patchwork and knitting!

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Making a cotton top – the beginning

I’ve spent this weekend trying to make a top, or the start of one at any rate.

pattern pieces

Choosing the size wasn’t easy and at first I cut out the pieces for a size bigger than the one I’ve since settled on. I forgot to cut out notches first time round so taking it down a size meant I could cut out notches this time (except for one that was too close to the edge). I spent a lot of time looking at online tutorials on umpteen different blogs, starting with those on sewessential.

Laying out the pieces – the front of the garment is one piece so is on the centre fold, the back is in two pieces but I cut it out on the double layer of fabric. I used the layout as shown on the pattern and was pleased I did when I read later that is so the pattern on the fabric joins up the right way (so in my case the swallows won’t be upside down).

I followed online instructions for stay-stitching round the neck (the pattern said to do stay-stitching but I’d never heard of it!), and did directional stitching like it said. At this point I realised I’d never sewn a curved line with the sewing machine before! I said as much to my husband, and I swear he sniggered. You can go off some people.

I also basted it, but faffed about for a while trying to get it the right distance from the edge, in the end using dots of yellow chalk, as it’s on the back it shouldn’t show up. Don’t know what the best way of measuring the seam allowance is – my mother-in-law seemed to do it by eye!

pattern instructions

The pattern has an opening at the back, which I didn’t expect from the photo on the front of the pattern, so this was a bit of a challenge. Not as much of a challenge as the binding is going to be next weekend!

There’s no measurement for where the ‘black dot’ on the pattern is, but it looks like it’s a bit to one side of half-way between notch and top, so I just guessed. The pattern also says to buy a button, but nothing about a button loop or where exactly to put it, so I’ll cross that bridge when I come to it.

This is the seam joining the two halves of the back, pressed open, and the seam above the notional black dot folded under again.

These have to be stitched, and square-stitched underneath. I basted it and tried to do it without taking my needle out of the fabric, but sadly this didn’t work at the corners (below). Not sure what I did wrong there, lack of experience with the sewing machine. While unpicking it I realised it actually looked fine on the inside! Typical.

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This is it when the three lines were sewn separately (I hadn’t unpicked the one on the left, so only had to redo the ones on the right and across the base). Looks okay from the front, I hope, though I know the one on the right is wider than its counterpart and wider at the base than the top, but not loads and I hope you wouldn’t notice when I’m wearing it unless someone’s staring at the back of my neck, and if they’re doing that I don’t want to talk to them!

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From the inside, not good because of the difficulty of fastening in the ends of all those lines of stitching, particularly as machine-sewing leaves you with two lots of thread for each line. I did extra stitches inside the seam with knots pulled through so they’re hidden, but I hope they aren’t going to be uncomfortable and it doesn’t look tidy:

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Where I did back stitches at the beginning of each row it’s gone loopy, somehow I need to unpick those and resew by hand, sigh:

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That’s as far as I could get this weekend, despite spending a total of about 7 hours on it!I hope I may be awake enough on weekday evenings to sort out those nasty loopy bits and read up on overstitching and try to do that on the seam I’ve done. I only saw from a blog heading today that it’s something that has to be done, it isn’t something I’d thought of before. I also tried looking up some info. about hems, something that could prove a challenge later on. If I can do that through the week, then next weekend it is joining the shoulder seam and tackling the binding on the neck. Ooph! I’m feeling mentally exhausted now!

I stopped at 3.30 and went out for a walk, which I like to do at the weekend if I can before being in the city all week. Corn must be nearly ready to harvest. I was delighted at the end of the week and this weekend to have some heavy rain, after all the horrible heat (though it was still muggy when I was out today), but on this particular walk it leaves a stretch of pathway almost impassible. This bee was happy though!